Everyday Riso — Part 2

{
  "style_name": "Everyday Riso — Part 2",
  "style_slug": "everyday-riso-part-02",
  "style_version": "1.0.0",
  "style_summary": "Part 2 of Everyday Riso: four new everyday cases — moving day, morning coffee, an ice-cream treat and a bakery bike ride — in the same three-ink orange, olive and near-black risograph system on cream paper, with one chunky rounded person, exactly one absurdly oversized object, visible misregistration and halftone grain, and one tiny black corner label.",
  "category": "Type Posters",
  "environment_variables": {
    "ASPECT_RATIO": "Output aspect ratio: 9:16 or 16:9.",
    "STYLE_FIDELITY_ANCHORS": "Runtime injection of the prioritized CORE and FLEX anchors from this spec.",
    "SOURCE_CONTENT_TO_AVOID": "Runtime injection of the source-specific exclusions from this spec.",
    "SUBJECT": "The one ordinary person: hair, face, body build and expression within the rounded chunky character system.",
    "SUBJECT_ACTION": "The everyday action and the readable physical contact between the person and the oversized object.",
    "PRODUCT_OR_PROP": "The single absurdly oversized everyday object, its ink colors and what exactly is exaggerated.",
    "LOCATION": "The everyday setting, reduced to the minimum needed to read the action.",
    "BACKGROUND_ELEMENTS": "The few normal-scale supporting items and ground shadow; everything else stays open cream paper.",
    "MAIN_TEXT": "The tiny corner label: a 2–3 word uppercase imperative or short phrase, exact spelling, no punctuation.",
    "SECONDARY_TEXT": "Additional wording; this style uses none, so the value is normally \"none\".",
    "ACCENT_SYMBOL": "Separator or decorative mark; this style uses none, so the value is normally \"none\".",
    "WARDROBE_STYLE": "Clothing and shoes for the person, assigned only to orange, olive and black ink.",
    "DESIGN_INTENTION": "Why the oversized object makes the everyday moment funny and warm, and how it shapes the poster.",
    "RATIO_COMPOSITION": "Separate 9:16 and 16:9 composition plans; apply only the plan matching ASPECT_RATIO."
  },
  "style_fidelity_anchors": [
    "[CORE] Strict three-ink risograph on cream paper #F4EBDD: warm orange #FF6C2F and olive green #5E6B3A as broad masses, near-black #1E1E1E only for hair, tiny eyes, the label and shoes. Brown appears only where orange overprints olive.",
    "[CORE] The print must look physically printed: 1–3 px misregistration between ink layers, fine grain with patchy uneven coverage, coarse halftone or stipple dots for every shade, translucent overprint. No smooth digital gradient, airbrush, 3D or glow.",
    "[CORE] One ordinary person with the series character build: rounded blocky body, soft thick limbs, small head, big soft hands, skin as pale orange halftone, minimal face with closed curved eyes or tiny dots, small nose and a gentle smile.",
    "[CORE] Exactly one everyday object is absurdly oversized; the person and all other props stay at normal series proportions. The action is a plain daily routine and the mood is relaxed, warm and funny.",
    "[CORE] Exactly one tiny bold black sans-serif label of 2–3 uppercase words in a free top corner, about 1.7 percent of canvas height, in one or two lines; no headline and no other wording.",
    "[FLEX] Pose and direction vary per case (sit, stand on tiptoe, kneel, squat, walk, ride) so a set of four never repeats one posture.",
    "[FLEX] The oversized object may bleed off one or two edges; its placement, crop and which corner holds the label are recomposed for each ratio.",
    "[FLEX] Which garments and props take orange versus olive can change per case, as long as the three-ink limit and overprint brown are respected.",
    "[FLEX] Supporting props (chair, stool, clothesline, bowl, basket, watering can) and a soft stipple ground shadow are allowed when they explain the action; settings otherwise stay open cream paper."
  ],
  "source_content_to_avoid": [
    "The previous Chromatic Gesture Characters palette: hot pink, coral-pink skin, cobalt blue, emerald and any other color outside orange, olive, near-black and overprint brown.",
    "The previous series' smooth airbrush or spray-gradient shading and soft digital glow.",
    "Subjects, props, captions and poses copied from the earlier reference posters of the sibling series.",
    "Surreal, dreamlike or abstract concept themes such as a body turning into landscape, which the brief identifies as underperforming.",
    "Any watermark, social handle, creator ID, platform logo, brand logo, QR code or signature."
  ],
  "visual_deconstruction": {
    "reference_observation": "The source set is eight 9:16 risograph posters on warm cream paper. Each shows one rounded, small-headed person in orange and olive clothing doing a daily task — slurping noodles, hanging laundry, brushing a cat, watering a flower, carrying a box, hugging a coffee cup, licking ice cream, cycling — while one object is blown up far beyond real scale. Shading is coarse halftone and grain, inks overprint to brown, and a tiny two-line black label sits in a top corner.",
    "style_content_separation": "Reusable: the three-ink riso system, print texture, chunky character build, single-object exaggeration formula, open cream space and the tiny corner label. Case-specific: the particular action, the oversized object, the label wording and each scene's placement.",
    "creative_scope": "Formula-driven reinterpretation: any ordinary daily action plus exactly one absurdly oversized object, rendered in the fixed character and ink system. The reader should be able to say 'a person is ___, but the ___ is absurdly huge' within three seconds.",
    "hierarchy": "The oversized object reads first as the largest ink mass, the person's face and contact point second, open cream space third, and the tiny label last."
  },
  "composition": {
    "canvas": "Edge-to-edge cream paper poster with no frame, mockup, border or panel division.",
    "subject_scale": "Person plus oversized object occupy about 60–80 percent of the canvas; the rest is calm cream negative space.",
    "exaggeration_rule": "Only one object is enlarged. Its contact with the person (lips, hands, brush, clothespin, watering-can drops, basket) must stay visible and readable.",
    "cropping": "The oversized object may be cropped by one or two canvas edges for tension; the person's face, hands and action are never cropped.",
    "ratio_strategy": "Portrait uses the height for the object to tower, hang or loop vertically. Landscape re-composes the same case across the width — the object sweeps, stretches or lies laterally — instead of cropping or padding the portrait.",
    "pose_variety": "Within a set of four, vary the action direction: sitting, standing, kneeling, squatting, walking or riding."
  },
  "typography": {
    "label": "Exactly one label: bold black grotesk sans-serif, uppercase, 2–3 words, set in one or two flush-left lines.",
    "size": "Tiny: cap height about 1.7 percent of canvas height, block no wider than 25 percent of canvas width.",
    "placement": "A free top-left or top-right corner with clear margin, never touching or overlapping the subject or the oversized object.",
    "wording": "Render MAIN_TEXT exactly once with no added punctuation. No headline, subtitle, secondary text, accent symbol, signature or brand."
  },
  "color_palette": {
    "paper": "#F4EBDD warm cream, fibrous, visible as the background and as cutout highlights.",
    "inks": [
      "#FF6C2F warm orange — primary ink for broad masses: oversized objects, garments, skin halftone.",
      "#5E6B3A olive green — secondary ink for garments, furniture, plants, stems and contours.",
      "#1E1E1E near-black — detail ink only for hair, tiny eyes, the label and shoes."
    ],
    "overprint": "Deep brown appears only where translucent orange prints over olive; it is used for stripes, tape, coffee, soil and shadows.",
    "forbidden": "No pink, magenta, cobalt or any blue, purple, yellow, white ink or gray wash; no fifth ink.",
    "flexibility": "The ink roles are fixed; how much orange versus olive each case uses can change."
  },
  "image_treatment": {
    "medium": "Flat, chunky character illustration printed as a three-color risograph.",
    "texture": "Visible 1–3 px registration offset leaving thin paper or overprint edges, fine ink grain, mild patchy uneven coverage, matte ink on fibrous cream paper.",
    "shading": "Coarse halftone dots and stipple only; soft stipple ground shadows under feet, chairs and objects. No smooth tonal gradients.",
    "character_rendering": "Rounded simplified silhouettes without outlines; skin is pale orange halftone over cream; facial features use olive or brown overprint with tiny black eyes."
  },
  "design_rules": [
    "Pass the three-second test: a person is doing an everyday action, but one object is absurdly huge.",
    "Enlarge exactly one object and keep the person, hands and every other item at normal series proportions.",
    "Use only orange, olive and near-black ink on cream paper, with brown only as orange-over-olive overprint.",
    "Make the riso print texture obvious at full view: misregistration, grain, halftone and overprint.",
    "Keep the label tiny, black and in a free top corner, and render no other text.",
    "Compose each ratio separately; the 16:9 version re-plans the scene across the width instead of cropping the portrait."
  ],
  "do": [
    "Choose ordinary daily routines: eating, laundry, pet care, gardening, moving, coffee, treats, cycling.",
    "Give the person a relaxed, happy face with closed curved eyes or tiny dot eyes and a gentle smile.",
    "Let the oversized object bleed off an edge when it adds tension.",
    "Leave generous calm cream negative space.",
    "Vary poses across a set of four so the series reads as a family, not a template."
  ],
  "avoid": [
    "Pink, cobalt or any blue, purple, yellow or extra fifth color.",
    "Smooth airbrush gradients, glossy highlights, 3D rendering, glow or photorealistic lighting.",
    "Surreal, dreamlike or abstract concepts, or more than one oversized element, giant heads or gigantic hands.",
    "Tense, cool or serious expressions and fashion poses.",
    "Large headlines, extra wording, logos, watermarks or handles.",
    "Busy backgrounds, scenery or multiple people."
  ],
  "prompt_template": "Use case: stylized-concept. Create ONE finished {ASPECT_RATIO} risograph illustration poster, warm cute everyday life. If the ratio is 9:16, compose a vertical scene; if it is 16:9, compose a genuinely horizontal landscape scene, never a crop, letterbox or padded portrait.\n\nPRIORITIZED STYLE:\n{STYLE_FIDELITY_ANCHORS}\n\nPRINT: strict THREE INKS on cream paper #F4EBDD: warm orange #FF6C2F, olive green #5E6B3A, near-black #1E1E1E. No fifth ink: brown is ONLY translucent orange-over-olive overprint. Skin is pale orange halftone over cream, not pink/peach paint. Black ink confined to compact hair, tiny eyes, tiny label and shoes; mouths/noses/object contours use olive or brown overprint. Orange and olive form broad masses. No blue, cobalt, pink, purple, yellow, white ink or gray wash.\nRisograph printing MUST be visually evident: slight 1–3 pixel registration offset at 1500px short edge leaves thin paper/overprint edges, fine ink grain with mild patchy coverage, visibly coarse halftone dot shading rather than smooth tonal gradients, semi-transparent overprint at orange/olive overlaps yielding brown. Matte real ink on warm cream fibrous paper. Preserve rounded series silhouettes but replace all prior smooth airbrush with dot/stipple shading. No 3D, glossy light, digital smooth gradient, glow or photorealism.\n\nCHARACTER: one ordinary person. {SUBJECT} Retain rounded blocky body, soft thick limbs, small head and softly broad hands; minimal face. Wardrobe: {WARDROBE_STYLE}\nACTION: {SUBJECT_ACTION}\nTHE ONE OVERSIZED OBJECT: {PRODUCT_OR_PROP} Keep exaggeration ONLY on this single object, with the ordinary human and every other item at the series proportions.\nSETTING: {LOCATION} Background: {BACKGROUND_ELEMENTS}\nDESIGN INTENTION: {DESIGN_INTENTION}\nRATIO PLAN: {RATIO_COMPOSITION} Apply only the plan for {ASPECT_RATIO}.\n\nCOMPOSITION: single scene, combined subject occupies 60–80 percent of image, substantial calm cream negative space. May crop the ONE giant object at edge; keep action, face and contact readable. Relaxed closed curved eyes or simple tiny black eyes, small nose and gentle smile. No surreal transformation, autonomous objects, abstract conceptual props, tension or cool fashion pose. One person only. No additional giant item, giant head, gigantic hand or extra limbs.\nTEXT: exactly \"{MAIN_TEXT}\" once, no added punctuation, in one or two lines of TINY bold black sans serif in free upper corner, about 1.7 percent of canvas height, block no more than 25 percent canvas width; keep quiet, clear and separate from subject. No other wording, marks or brand. Secondary text: {SECONDARY_TEXT}. Accent symbol: {ACCENT_SYMBOL}. When either value is \"none\", render nothing for it.\n\nSOURCE CONTENT TO REPLACE:\n{SOURCE_CONTENT_TO_AVOID}\n\nGenerate at highest available resolution, ideally 4K; preserve print dots, misregistration, grain and intentionally uneven ink. No denoising or sharpening.",
  "negative_prompt": "pink, magenta, coral-pink skin, blue, cobalt, purple, yellow ink, white ink, gray wash, fifth ink color, smooth airbrush or spray gradient, digital flat fill without grain, 3D render, glossy highlights, glow, realistic lighting, photorealism, surreal transformation, dreamscape, body becoming landscape, more than one oversized object, giant head, gigantic hands, extra limbs, extra fingers, second person, tense or cool expression, large headline, extra words, misspelled label, punctuation in label, logo, watermark, social handle, QR code, signature, border, mockup frame, busy background, contact sheet",
  "examples": [
    {
      "case_name": "new-chapter",
      "values": {
        "SUBJECT": "One cheerful adult with short curly black hair, small head, rounded torso and big soft hands, laughing with closed eyes.",
        "SUBJECT_ACTION": "Walks with an easy stride, carrying the box from underneath with both hands, the small face peeking around its left side.",
        "PRODUCT_OR_PROP": "ONE enormous closed moving cardboard box in orange ink with brown-overprint packing tape and fold edges, roughly ten times the torso volume, with no shipping labels or text; only the box is oversized.",
        "LOCATION": "Moving day, implied only by the walking figure on an open cream ground.",
        "BACKGROUND_ELEMENTS": "Cream paper and a soft olive stipple ground shadow under the feet; no truck, door or other boxes.",
        "MAIN_TEXT": "NEW CHAPTER",
        "SECONDARY_TEXT": "none",
        "ACCENT_SYMBOL": "none",
        "WARDROBE_STYLE": "Olive long-sleeve sweater, wide orange trousers and chunky black shoes.",
        "DESIGN_INTENTION": "The box is a block of solid orange that dominates the canvas; the light stride and laugh make the heavy load read as an optimistic fresh start.",
        "RATIO_COMPOSITION": "For 9:16: the box fills the upper and right 65 percent and crops at the right and top edges; the person walks at the lower-left; label in the top-left corner. For 16:9: the person walks left-to-right at left-center while the box becomes a long wide carton filling the right two-thirds of the width, cropped by the right and top edges; label in the top-left corner."
      }
    },
    {
      "case_name": "morning-ritual",
      "values": {
        "SUBJECT": "One relaxed adult with long wavy black hair, small head, rounded body and big soft hands, eyes closed in contentment.",
        "SUBJECT_ACTION": "Sits cross-legged beside the cup, holding its rim with both hands and resting a cheek near the edge to breathe in the aroma.",
        "PRODUCT_OR_PROP": "ONE bathtub-sized olive coffee mug with an ordinary handle, orange halftone highlights, a cream rim and brown coffee made from orange-over-olive overprint; only the cup is oversized.",
        "LOCATION": "A slow morning at home, implied by the cup alone on cream paper.",
        "BACKGROUND_ELEMENTS": "Two delicate olive stipple steam curls and a soft ground shadow; no table, kitchen or saucer.",
        "MAIN_TEXT": "MORNING RITUAL",
        "SECONDARY_TEXT": "none",
        "ACCENT_SYMBOL": "none",
        "WARDROBE_STYLE": "Orange long-sleeve top, olive trousers and black shoes.",
        "DESIGN_INTENTION": "The cup becomes a warm olive landmass to lean on, turning a daily coffee into a hug.",
        "RATIO_COMPOSITION": "For 9:16: the cup dominates the center and lower-right with its handle cropped at the right edge; the person sits at the left with the head above the rim; steam rises toward the label in the top-right corner. For 16:9: the cup sits at center-right as a wide squat mass with its handle fully visible on the right; the person sits cross-legged at the left holding the rim; steam rises in the open upper middle and the label sits in the top-right corner."
      }
    },
    {
      "case_name": "sweet-tooth",
      "values": {
        "SUBJECT": "One delighted adult with short curly black hair, small head, rounded body and big soft pale-orange hands, eyes squeezed shut in a happy smile.",
        "SUBJECT_ACTION": "Leans in and licks the scoop with a tiny orange tongue while holding the cone in both hands.",
        "PRODUCT_OR_PROP": "ONE enormous ice-cream cone: a single rounded orange scoop several times larger than the head on an olive-over-orange lattice waffle cone of matching scale, with no sprinkles; only the ice cream is oversized.",
        "LOCATION": "An everyday treat moment on an open cream ground.",
        "BACKGROUND_ELEMENTS": "Cream paper and a soft olive stipple ground shadow; no shop, sky or other desserts.",
        "MAIN_TEXT": "SWEET TOOTH",
        "SECONDARY_TEXT": "none",
        "ACCENT_SYMBOL": "none",
        "WARDROBE_STYLE": "Orange dungarees over an olive long-sleeve top, black shoes.",
        "DESIGN_INTENTION": "The scoop is a big grainy orange cloud that leaves no doubt about the craving; the tiny tongue touch keeps it playful.",
        "RATIO_COMPOSITION": "For 9:16: the person stands at the lower-left; the cone rises toward the upper-right and the scoop crops at the top and right edges; label in the top-left corner. For 16:9: the person stands at the left third; the cone tilts along a shallow diagonal so the scoop fills the right half and crops at the top-right edge; label in the top-left corner."
      }
    },
    {
      "case_name": "pedal-on",
      "values": {
        "SUBJECT": "One cheerful adult with long black hair blowing back, small head, rounded torso and soft limbs, smiling with closed eyes.",
        "SUBJECT_ACTION": "Rides an ordinary olive city bicycle at an easy pace, both hands on the handlebar and both feet on the pedals.",
        "PRODUCT_OR_PROP": "ONE gigantic orange baguette with cream slash cuts and halftone crust, standing in the ordinary front basket and longer than rider and bicycle together; only the bread is oversized.",
        "LOCATION": "A relaxed ride home from the bakery along an open cream road.",
        "BACKGROUND_ELEMENTS": "Cream paper and a long soft stipple road shadow under the wheels; no street, buildings or traffic.",
        "MAIN_TEXT": "PEDAL ON",
        "SECONDARY_TEXT": "none",
        "ACCENT_SYMBOL": "none",
        "WARDROBE_STYLE": "Orange crew-neck sweater, olive trousers and black flat shoes.",
        "DESIGN_INTENTION": "The baguette is a single long diagonal that gives the ride momentum while the bicycle stays perfectly ordinary.",
        "RATIO_COMPOSITION": "For 9:16: the bicycle fills the lower half facing right; the baguette rises almost vertically from the basket into the top-right edge; label in the top-left corner. For 16:9: the full bicycle rides left-to-right across the lower half with the rider at left-center; the baguette extends forward from the basket along a shallow upward diagonal and exits the right edge; label in the top-left corner."
      }
    }
  ]
}